Issues in curating contemporary art and performance pdf

Issues in Curating Contemporary Art and Performanceargues that, despite these daily pressures, good curating work also requires more theoretical attention. In this groundbreaking volume, a distinguished group of artists, curators, and writers probe the changing face of curating in dance, the visual arts… Expand. Save to Library Save. Create Alert Alert. Share This Paper. Methods Citations. Figures from this paper.

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Now in paperback, this volume is an essential read for scholars, curators and art enthusiasts alike. Issues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry.

By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways of developing critical enquiry about this increasingly expanding field. Focusing on pertinent issues in curating contemporary art and performance, the book's four parts examine forms of thinking in contemporary curating; curating and the interdisciplinary; as intervention and contestation; as a form of reconsideration of conventional museum spaces and as a problematic in 'emerging' practices.

The age of curating: Contemporary performances of management and organization. Issues in Curating Contemporary Art and Performance,. In contemporary art, the curator plays an important role in the production of artistic meaning through exhibition-making.

Although sociology has tended to see this work as the exercise of tacit or embodied knowledge, curatorial knowledge and plans may be elaborated and altered by the situated actions of exhibition installation. Curators have risen to prominence in the contemporary art world because of the increased importance of mediating between institutional bureaucracy, market forces, artistic representation, and public taste.

By Intellect Books Ltd. Issues in Curating Contemporary Art and Performance proposes that the concept of curating is a complex field of enquiry. By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways of developing critical enquiry about this increasingly expanding field. Focusing on pertinent issues in curating contemporary art and performance, the book's four parts examine forms of thinking in contemporary curating; curating and the interdisciplinary; as intervention and contestation; as a form of reconsideration of conventional museum spaces and as a problematic in 'emerging' practices.

At least on a discursive level, there occurred a shift away from the institutional framing of an art object as practiced since the s with elements such as the white cube, top-down organization and insider audiences.